#Timothee chalamet electric photosheet movie#
Scarlett Johansson finds first role in Wes Anderson movie amid Disney suit Loco-motive: New Wes Anderson-designed luxury train car debuts in UK ‘The French Dispatch’ review: Overstuffed cast indulges Wes Anderson’s worst habits
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Read the full interview by John Ortved and see the photo shoot by Karim Sadli in the October issue of L'Uomo, on newsstands from October 23rd.Silence on the set! Henry Winkler on peculiar world of ‘French Dispatch’ director Wes Anderson Opening photograph: blazer, Dsquared2 tank, Intimissimi shoes, The Contemporary Wardrobe Collection trousers, Prada. It is like New York, but it makes me feel calmer for some reason.įashion credits: Photographs by Karim Sadli Styling by Alice Goddard Hair Damien Boissinot Art + Commerce Set design Jack Flanagan The Wall Group. I try to lean toward the feeling of having gratitude for it and being humble about it as opposed to pride because I don’t think pride is a feeling people encourage you to have. Without having the concrete jungle as a surface to grow up on and learn from, I certainly wouldn’t be the actor I am or the human I am. Going to public arts high school in New York, I was exposed to theatre at a young age. You come out of New York: how do you feel that has shaped you? I take huge pride in it. How grown-up do you feel? I think every day is a learning experience. The movies you have coming up – The King and Little Women – are about coming of age and maturing. With a mega-year of releases ahead, as well as the sequel to Call Me By Your Name on the horizon, he takes the time to talk about his films, but also the city, the people and the art that made him. He’s unfailingly polite, thoughtful, and gives credit where it is due at every turn, most often to others. Back in New York, over the phone, he immediately apologises for keeping me waiting (all of two minutes). The man’s virality is such that hospital wards could be renamed Chalatoriums. A week later, the internet reeled again, as a photo appeared of him making out with his girlfriend and The King co-star Lily-Rose Depp on the bow of a boat in Capri. No, most of the talk was of Chalamet’s getup at The King’s premiere in Venice, a loosely tailored Haider Ackermann suit in sci-fi grey. And then came festival season, wherein no one spoke of the winners at Toronto, or Berlin. The world, or at least the internet that represents it, went mad. This busy time follows one of the buzziest in actor breakout history, in which Chalamet, not unlike Leonardo DiCaprio before him, became less of the hot new thing than the on-screen face of a generation: he harnessed young love in Luca Guadagnino’s Call Me By Your Name (for which he earned an Oscar nomination), as well as Gerwig’s Lady Bird, alongside Saoirse Ronan, whom he rejoins in Little Women.įor a sense of Chalamet’s importance in entertainment’s current constellation, one only had to be alive on the planet in the summer of 2019 when the trailer for the new Little Women was released. When I reach him he’s just wrapped shooting on Dune, in which he leads in Denis Villeneuve’s remake of the sci-fi epic. The King, Joel Edgerton and David Michôd’s interpretation of Shakespeare’s Henry histories, occupied Chalamet last spring and summer, before he went on to shoot Greta Gerwig’s Little Women, in which he plays the perennially pining Laurie. “The truth is that I’ve been working something like 22 months straight,” he says down the line as he trots around his old stomping grounds in New York, the city where he was born, raised and trained at LaGuardia High School of Music & Art and Performing Arts. It’s doubtful that the young actor playing him, Timothée Chalamet, prince of Hollywood, has had much practical experience of late to draw from for the scene.
When we meet Hal, aka Prince Henry of Monmouth, aka Henry V – in Netflix’s The King – he is sleeping after one of many long nights of carousing.
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